<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/45">
    <dcterms:title><![CDATA[Death of Marat]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/44">
    <dcterms:title><![CDATA[David Triumphant]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/43">
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/40">
    <dcterms:title><![CDATA[Eva Gonzalès, Le Petit Lever (The Little Lever), 1875, Oil on canvas, Private collection]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/39">
    <dcterms:title><![CDATA[The Loge]]></dcterms:title>
    <dcterms:description><![CDATA[In the Impressionist period, we start to see the emergence of more female artists. The portrayal of women by women tells us not only how women view other women, but also how they view themselves in society. This picture shows 2 dejected young girls in a theater, and lots of questions can be asked; are they here by choice? What is expected of them? ]]></dcterms:description>
    <dcterms:creator><![CDATA[Mary Cassatt]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/38">
    <dcterms:title><![CDATA[Cape Cod Evening]]></dcterms:title>
    <dcterms:description><![CDATA[Provides an insight into the psychology of the individual– the woman’s stare into the distance, and the vastness of the forest and wheat field depict how she feels hopeless, trapped, and longing. Women’s expectations in a marriage can be explored in this– divorce was frowned upon and women were expected to stay married, even if didn’t necessarily mean they were happy. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Edward Hopper]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/37">
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/36">
    <dcterms:title><![CDATA[The Emperor Napoleon in His Study at the Tuileries]]></dcterms:title>
    <dcterms:description><![CDATA[Features a portrait of Napoleon in an attempt to highlight his greatness and success. This contributes to the opposite narrative that doesn&#039;t feature any of the themes of femininity that we seek to display.]]></dcterms:description>
    <dcterms:creator><![CDATA[Jacques-Louis David]]></dcterms:creator>
    <dcterms:date><![CDATA[1812]]></dcterms:date>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[David, J.-L. (1812). The emperor napoleon in his study at the tuileries National Gallery of Art, Washington DC. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/35">
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/34">
    <dcterms:title><![CDATA[The Scale of Love]]></dcterms:title>
    <dcterms:description><![CDATA[This work draws a parallel to the central scene in the Barbie movie where the women reclaim their power by playing along with the men when they attempt to woo the Barbies. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Jean-Antoine Watteau]]></dcterms:creator>
    <dcterms:date><![CDATA[1717]]></dcterms:date>
    <dcterms:format><![CDATA[Oil on canvas]]></dcterms:format>
    <dcterms:bibliographicCitation><![CDATA[Watteau, J.-A. (1717). The scale of love The National Gallery, London. ]]></dcterms:bibliographicCitation>
</rdf:Description></rdf:RDF>