<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/38">
    <dcterms:title><![CDATA[Cape Cod Evening]]></dcterms:title>
    <dcterms:description><![CDATA[Provides an insight into the psychology of the individual– the woman’s stare into the distance, and the vastness of the forest and wheat field depict how she feels hopeless, trapped, and longing. Women’s expectations in a marriage can be explored in this– divorce was frowned upon and women were expected to stay married, even if didn’t necessarily mean they were happy. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Edward Hopper]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/32">
    <dcterms:title><![CDATA[Portrait of a Lady, 18th century]]></dcterms:title>
    <dcterms:description><![CDATA[The idealization is oddly less apparent in this image, and it is very clearly shown. We can see her applied hobbies as well as interest intertwined in her character so that we can see beyond the character of sharp pastels and caked makeup.]]></dcterms:description>
    <dcterms:creator><![CDATA[Follower of Louis Michel Van Loo]]></dcterms:creator>
    <dcterms:date><![CDATA[18th century]]></dcterms:date>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[Portrait of a lady, 18th century. (18AD). National Gallery of Art, Washington DC. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/24">
    <dcterms:title><![CDATA[Allegory of Music]]></dcterms:title>
    <dcterms:description><![CDATA[I think this painting has a lot of themes relating to femininity, the idealized depiction of women, and the frivolous pink theme we were aiming for. <br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[François Boucher]]></dcterms:creator>
    <dcterms:date><![CDATA[1764]]></dcterms:date>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[Boucher, F. (1764). Allegory of music National Gallery of Art, Washington DC. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/26">
    <dcterms:title><![CDATA[Allegory of Painting]]></dcterms:title>
    <dcterms:description><![CDATA[This piece was interesting for exploring how the Barbie/pink theme changes when the women depicted are just concepts, not real models. The painting shows naturalism vs. realism in using idealized models of what women should look like, like the creation of Barbie and her battle between wanting to be a perfect doll and wanting to be human. <br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[François Boucher]]></dcterms:creator>
    <dcterms:date><![CDATA[1765]]></dcterms:date>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[Boucher, F. (1765). Allegory of painting National Gallery of Art, Washington DC. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/36">
    <dcterms:title><![CDATA[The Emperor Napoleon in His Study at the Tuileries]]></dcterms:title>
    <dcterms:description><![CDATA[Features a portrait of Napoleon in an attempt to highlight his greatness and success. This contributes to the opposite narrative that doesn&#039;t feature any of the themes of femininity that we seek to display.]]></dcterms:description>
    <dcterms:creator><![CDATA[Jacques-Louis David]]></dcterms:creator>
    <dcterms:date><![CDATA[1812]]></dcterms:date>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[David, J.-L. (1812). The emperor napoleon in his study at the tuileries National Gallery of Art, Washington DC. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/31">
    <dcterms:title><![CDATA[The Attentive Nurse]]></dcterms:title>
    <dcterms:description><![CDATA[Jean Siméon Chardin, The Attentive Nurse, 1747, Oil on canvas, National Gallery of Art]]></dcterms:description>
    <dcterms:creator><![CDATA[Jean Siméon Chardin]]></dcterms:creator>
    <dcterms:date><![CDATA[1747]]></dcterms:date>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[Chardin, J. S. (1747). The attentive nurse National Gallery of Art, Washington DC.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/34">
    <dcterms:title><![CDATA[The Scale of Love]]></dcterms:title>
    <dcterms:description><![CDATA[This work draws a parallel to the central scene in the Barbie movie where the women reclaim their power by playing along with the men when they attempt to woo the Barbies. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Jean-Antoine Watteau]]></dcterms:creator>
    <dcterms:date><![CDATA[1717]]></dcterms:date>
    <dcterms:format><![CDATA[Oil on canvas]]></dcterms:format>
    <dcterms:bibliographicCitation><![CDATA[Watteau, J.-A. (1717). The scale of love The National Gallery, London. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/29">
    <dcterms:title><![CDATA[Young Girl Reading]]></dcterms:title>
    <dcterms:description><![CDATA[This piece demonstrates the idea that women are more than just a pretty visual/object. The young girl reading exemplifies how women are capable of much more. It is considered different for its time period considering the manner in which women were portrayed during the Rococo time period.]]></dcterms:description>
    <dcterms:creator><![CDATA[Jean-Honoré Fragonard]]></dcterms:creator>
    <dcterms:source><![CDATA[National Gallery Of Art]]></dcterms:source>
    <dcterms:publisher><![CDATA[National Gallery Of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1769]]></dcterms:date>
    <dcterms:medium><![CDATA[oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[Fragonard, J. H. (1769). Young girl reading National Gallery of Art, Washington DC. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/33">
    <dcterms:title><![CDATA[Three Figures Dressed for a Masquerade]]></dcterms:title>
    <dcterms:description><![CDATA[Uses ideal women and displays gender roles through dress, positioning, and interactions.]]></dcterms:description>
    <dcterms:creator><![CDATA[Louis-Joseph Le Lorrain]]></dcterms:creator>
    <dcterms:date><![CDATA[1740s]]></dcterms:date>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:bibliographicCitation><![CDATA[Le Lorrain, L.-J. (1740). Three figures dressed for a masquerade National Gallery of Art, Washington DC. ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://westernsurvey23.artinterp.org/items/show/39">
    <dcterms:title><![CDATA[The Loge]]></dcterms:title>
    <dcterms:description><![CDATA[In the Impressionist period, we start to see the emergence of more female artists. The portrayal of women by women tells us not only how women view other women, but also how they view themselves in society. This picture shows 2 dejected young girls in a theater, and lots of questions can be asked; are they here by choice? What is expected of them? ]]></dcterms:description>
    <dcterms:creator><![CDATA[Mary Cassatt]]></dcterms:creator>
</rdf:Description></rdf:RDF>
